At what point does James Bond finally get too old for this shit?
Reeves plays his character with a vulnerability that’s entirely unique, one who always does right by his four-legged friends and gives off this very “tired man who didn’t want to come out of retirement” energy in every scene. Not everybody has the range to perfectly embody the spirit of a lovable time-traveling doofus as well as that of a lean, mean, killing machine, stalking through the neon-lit nightclub as if it were a slow seduction to a sexy beat with his murder face on. Reeves is also a genuinely great actor whose love for movies is the most pure, his body of work suggesting a versatility and sincerity for which he doesn’t always get credit. Wick is like Batman meets James Bond without the gross womanizing and a Frank Castle sense of justice whose entire motivation stems from the loss and memory of love. One of the more female-friendly action films there is, John Wick knows its appeal without cheapening it. That’s not to mention the way the man fills out a suit.
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Can I just say hats off to the very female gaze of these movies? Within 30 minutes of the first film, we get to watch Keanu, in full brood, pounding out concrete in an undershirt with a sledgehammer, as well as a tasteful shower scene. He’s a nightmare dressed like an even bigger nightmare in a fetching three-piece suit. The way he uses the darkness to move within it so that you never see him until he’s right on top of you. People talk about Wick like he’s a ghost, and he acts like one. That glory never shall his wrath or mightĪs infamous as the devil himself, John has quite the reputation built up when we first meet him it has already grown to near-mythic proportions such as once killing a man with a pencil. It’s a real sympathy-for-the-devil type of situation, but John Wick doesn’t need you to feel sorry for him. Already, we can start to understand his plight. During a home invasion to steal Wick’s bitchin’ ride (a 1969 Ford Mustang Mach 1), the son (Alfie Allen) of a Russian kingpin and his friends horribly kill the dog. Before her death, she arranges for a thoughtful gift - a dog to keep Wick company, delivered a few days after the funeral. Reeves plays Wick, a former mob hitman whose wife, his reason for leaving behind his old life of murder and mayhem, dies after a long illness. He’s also called the Devil by some, which inevitably got me thinking about the Milton of it all. Keanu Reeves and the story of John Milton’s Paradise Lost.
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Still, that a movie about a former hitman emerging from retirement after the brutal killing of his dog has become such a wildly successful franchise almost defies logic - though, for me, it all comes down to two things: The senseless murder of an innocent puppy is definitely one in my book. There’s all sorts of perfectly valid reasons for revenge, whether it’s because someone killed your father and stole your crown or you got wrongfully sent to a dirty French prison for 14 year. I’ve always loved a good revenge story: The Count of Monte Cristo, Hamlet, The Crow, to name a few. The man, the myth, the terrifying legend. The mother of mankind, what time his pride Stirred up with envy and revenge, deceived “The infernal serpent he it was whose guile,
This September, Midwest Film Journal is shining a spotlight on some of his best roles. Keanu Reeves’ charm and consistency have kept him in the echelon of America’s movie-star sweethearts, particularly in an age where everything else has gone to complete shit.
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